https://www.northwesternartreview.org/articles daily 0.75 2025-04-15 https://www.northwesternartreview.org/articles/manets-woman-with-fans-1873 monthly 0.5 2025-04-15 https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/0f8a7ec2-40f1-4167-a826-185b8b6e9903/Screenshot+2025-04-15+at+10.26.59%E2%80%AFAM.png Articles - Manet’s Woman with Fans (1873) - Make it stand out Figure 4: Lefebvre, Jules Joseph. Odalisque, 1874. Oil on canvas, 102.4 × 200.7 cm. Art Institute of Chicago. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/51cf2fe7-ef7b-41b8-addd-c1deb381a978/Screenshot+2025-04-15+at+10.23.20%E2%80%AFAM.png Articles - Manet’s Woman with Fans (1873) - Make it stand out Figure 2: Caillebotte, Gustave. Paris Street; Rainy Day, 1877. Oil on canvas, 212.2 × 276.2 cm. Art Institute of Chicago. On loan to the Musée d’Orsay, Paris. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/d081ecde-75a5-4b2b-81bf-e4639981bd3b/Screenshot+2025-04-15+at+10.29.45%E2%80%AFAM.png Articles - Manet’s Woman with Fans (1873) - Make it stand out Figure 5: Manet, Édouard. Portrait of Émile Zola, 1868. Oil on canvas, 146.5 cm × 114 cm. Musée d’Orsay, Paris. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/7dcbd342-9ad3-4dbe-8214-10556bf7ab5c/Screenshot+2025-04-15+at+10.25.16%E2%80%AFAM.png Articles - Manet’s Woman with Fans (1873) - Make it stand out Figure 1: Manet, Édouard. Woman with Fans, 1873. Oil on canvas, 114.0 x 167.0 cm. Musée d’Orsay, Paris. On loan to the Art Institute of Chicago. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/ad7dc9ed-73ff-48b4-ae63-19c216df942a/Screenshot+2025-04-15+at+10.26.09%E2%80%AFAM.png Articles - Manet’s Woman with Fans (1873) - Make it stand out Figure 3: Manet, Édouard. Olympia, 1863-5. Oil on canvas, 130.5 cm × 190 cm. Musée d’Orsay, Paris. https://www.northwesternartreview.org/articles/hokusais-mount-fuji-two-visions-through-print monthly 0.5 2025-02-12 https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/e468357d-c14f-4130-902a-5b8ca2f47654/default.jpg Articles - Hokusai’s Mount Fuji: Two Visions Through Print - Make it stand out Katsushika Hokusai, A Mild Breeze on a Fine Day (Gaifu kaisei), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)", 1825–1837, color woodblock print, oban, 24.2 × 36.5 cm. Clarence Buckingham Collection, Art Institute of Chicago, 1952.341. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/e1b7860f-9b81-4f8b-bffb-5c033f6c452d/default-1.jpg Articles - Hokusai’s Mount Fuji: Two Visions Through Print - Make it stand out Katsushika Hokusai, Mount Fuji from Lake Ashi in Hakone, 1825–1840, color woodblock print with metallic pigments, shikishiban, surimono, 20.3 × 17.7 cm. Gift of Helen C. Gunsaulus, Art Institute of Chicago, 1954.899. https://www.northwesternartreview.org/articles/fluxus-freedom-and-future-days-a-conversation-with-irmin-schmidt monthly 0.5 2024-06-04 https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/628b9d57-46e5-4e88-9811-5f066f56c146/IMG_2302.JPG Articles - Fluxus, Freedom, and Future Days: A Conversation with Irmin Schmidt - Make it stand out Can, 1972 (L-R: Irmin Schmidt, Damo Suzuki, Jaki Liebezeit, Holger Czukay, Michael Karoli). https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/39c9b699-1c55-4b1f-99f0-4499aa1d8d21/IMG_2298.JPG Articles - Fluxus, Freedom, and Future Days: A Conversation with Irmin Schmidt - Make it stand out Can, 1974 (L-R: Jaki Liebezeit, Holger Czukay, Irmin Schmidt, Michael Karoli). https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/140ec7f9-6938-4a31-bf4e-ddebdb33bbc2/IMG_2293.JPG Articles - Fluxus, Freedom, and Future Days: A Conversation with Irmin Schmidt - Make it stand out Can, 1973 (L-R: Irmin Schmidt, Holger Czukay, Michael Karoli, Jaki Liebezeit, Damo Suzuki). https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/4ba03dc2-81b3-4861-9014-90aacc01eb32/IMG_2301.JPG Articles - Fluxus, Freedom, and Future Days: A Conversation with Irmin Schmidt - Make it stand out Can, ca. 1969 (L-R: Holger Czukay, Irmin Schmidt, Malcolm Mooney, Jaki Liebezeit, Michael Karoli). https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/f099087d-e475-43ed-8c87-5176be7e670d/IMG_2299.JPG Articles - Fluxus, Freedom, and Future Days: A Conversation with Irmin Schmidt - Make it stand out Can onstage in Hamburg, 1972 (L-R: Holger Czukay, Jaki Liebezeit, Michael Karoli, Irmin Schmidt). https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/39fb2d50-6f8a-4680-9bce-f1646735ae7e/IMG_2300.JPG Articles - Fluxus, Freedom, and Future Days: A Conversation with Irmin Schmidt - Make it stand out Irmin Schmidt, 1970s. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/fbbcbc2b-748f-4598-bf32-276ce2fcb1a2/Screenshot+2024-06-04+at+3.09.54%E2%80%AFPM.png Articles - Fluxus, Freedom, and Future Days: A Conversation with Irmin Schmidt - Make it stand out Irmin Schmidt https://www.northwesternartreview.org/articles/beyond-the-binary-nebulas-hybrid-body-and-her-feminist-evolution monthly 0.5 2024-05-24 https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/0499cabb-0cd2-49ef-a6f1-184196ce0f5d/unnamed.jpg Articles - Beyond the Binary: Nebula's Hybrid Body and Her Feminist Evolution - Make it stand out Figure 1: Avengers: Infinity War, Thanos tortures Nebula. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/081a36e3-0679-48ab-bd12-9367f8dc36d0/unnamed.png Articles - Beyond the Binary: Nebula's Hybrid Body and Her Feminist Evolution - Make it stand out Figure 3: Nebula in Guardians of the Galaxy Vol. 3 https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/a23addb9-eb40-4c12-8652-396240e74281/unnamed-1.jpg Articles - Beyond the Binary: Nebula's Hybrid Body and Her Feminist Evolution - Make it stand out Figure 2: Collaged Image: Nebula in the early comics, Nebula in the later comics, Nebula in Guardians of the Galaxy film, and Nebula in What If…? https://www.northwesternartreview.org/articles/exhibition-review monthly 0.5 2024-05-02 https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/7d00531d-b293-456d-a297-1a3f5ac78f99/Screenshot+2024-05-01+at+11.14.03%E2%80%AFAM.png Articles - Exhibition Review - Indigo: The Blue Gold, 2023 at the South Asia Art Institute - Make it stand out The Chakra Series: The Spinning Wheel, 2022, Shelly Jyoti, ajrakh painting, dyeing, and needlework on khadi fabric. Image credit: South Asia Institute https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/7819314c-368b-4acf-b7e2-ea8d259f913e/Screenshot+2024-05-01+at+11.03.47%E2%80%AFAM.png Articles - Exhibition Review - Indigo: The Blue Gold, 2023 at the South Asia Art Institute - Make it stand out Homage to the Farmers of Champaran, 1917-1918, Shelly Jyoti and Laura Kina, 300 textile khadi fabric discs. Image credit: South Asia Institute https://www.northwesternartreview.org/articles/benedetta-and-the-influence-of-women-on-futurist-art monthly 0.5 2024-04-29 https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/902b0ad0-438f-4a96-be67-a4340d8e5fb3/synthesis-of-aerial-communications-1933-34-benedetta-cappa-marinetti.png Articles - Benedetta and the Influence of Women on Futurist Art - Make it stand out Figure 2: Benedetta Cappa, Synthesis of Aerial Communications (Sintesi delle comunicazione aerea), 1933-1934, tempera and encaustic on canvas. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/cc99478d-1945-4f8f-b215-dc429751eb2f/benedetta-1924-forze-03.jpeg Articles - Benedetta and the Influence of Women on Futurist Art - Make it stand out Figure 1: Benedetta Cappa, Le forze umana, 1924. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/34b8a5c6-5ddf-4c18-be00-b25e99914963/unnamed.jpg Articles - Benedetta and the Influence of Women on Futurist Art - Make it stand out Figure 3: Ivo Pannaggi, Speeding Train (Treno in corsa), 1922. https://www.northwesternartreview.org/articles/exploring-the-duality-of-the-new-woman-with-isabel-bishop monthly 0.5 2024-04-03 https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/f3081e65-d3a1-4cc6-9157-08436bc71b9a/f84e52b0c16fb18f22ca9f6eee6f962a.jpg Articles - Exploring the Duality of the “New Woman” With Isabel Bishop - Make it stand out Figure 2: Isabel Bishop, Two Girls, 1935, oil and tempera on masonite, 20 x 24 inches, https://arthive.com/artists/11102~Isabel_Bishop/works/296593~Two_girls. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/861e0e5e-71fd-4ab3-b3b8-21a448da3d1e/bishop.jpg Articles - Exploring the Duality of the “New Woman” With Isabel Bishop - Make it stand out Figure 1: Isabel Bishop, At the Noon Hour, 1935, ink, 6 ⅞ x 4 ¾ inches, https://wam.umn.edu/isabel-bishop-noon-hour-1935. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/cc9330ac-99ba-4e0f-bb21-e02db3798ef6/Tidying-Up-copy.jpg Articles - Exploring the Duality of the “New Woman” With Isabel Bishop - Make it stand out Figure 3: Isabel Bishop, Tidying Up, 1941, oil on masonite, 15 x 11 ½ inches, https://websites.umass.edu/arthist391a-kurczynski-2/2018/05/10/the-seamless-web-drawing-and-gender-in-the-work-of-isabel-bishop/. https://www.northwesternartreview.org/articles/syncretism-in-early-byzantine-marriage-jewelrynbspthe-political-and-social-function-of-pagan-and-christian-motifs monthly 0.5 2024-03-30 https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/8adae02e-823e-4562-957e-44ef01415005/main-image-1.jpg Articles - Syncretism in Early Byzantine Marriage Jewelry: The Political and Social Function of Pagan and Christian Motifs - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/f7eaeaf2-29cb-4fa2-95b8-7ad21eff89bc/main-image.jpg Articles - Syncretism in Early Byzantine Marriage Jewelry: The Political and Social Function of Pagan and Christian Motifs - Make it stand out Figure 3: Belt Ornament. Roman or Byzantine, 4th century, Copper alloy and gilt. Image Credit: The Metropolitan Museum of Art, https://www.metmuseum.org/art/collection/search/466253. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/02eec9fe-fe39-4d3c-a328-486962a7e7ff/Screenshot+2024-03-30+at+3.31.18%E2%80%AFPM.png Articles - Syncretism in Early Byzantine Marriage Jewelry: The Political and Social Function of Pagan and Christian Motifs - Make it stand out Figure 4: Ring with Cameo of Clasped Hands. Roman, 3rd century CE, Gold and sardonyx. Image Credit: Museum of Fine Arts Boston. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/c6ff05a0-6b82-4fe2-937e-0f910d316446/BZ.1937.33.S1978.1.cropped.jpg Articles - Syncretism in Early Byzantine Marriage Jewelry: The Political and Social Function of Pagan and Christian Motifs - Make it stand out Figure 2: Marriage Belt. Early Byzantine, late 6th century - early 7th century, Gold. Image Credit: Dumbarton Oaks Museum, https://museum.doaks.org/objects-1/info/27445. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/ee854042-c9d3-4e82-af40-7a128b33f775/PL1_57.1715_Top_TR_T04II.jpg Articles - Syncretism in Early Byzantine Marriage Jewelry: The Political and Social Function of Pagan and Christian Motifs - Make it stand out Figure 1: Marriage Ring. Byzantine, 6th century, Gold. Image Credit: The Walters Art Museum, https://art.thewalters.org/detail/5973/marriage-ring/. https://www.northwesternartreview.org/articles/saturday-studio-at-the-art-institute-claudel-and-movement monthly 0.5 2024-03-19 https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/67869627-a413-4fe0-988d-2181bc71959b/claudel2.png Articles - Saturday Studio at the Art Institute: Claudel and Movement - Make it stand out Camille Claudel, The Mature Age, c. 1902, bronze, Musée d’Orsay, France. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/2fcbdd07-cf65-4258-ac48-e680c411137e/claudel1.png Articles - Saturday Studio at the Art Institute: Claudel and Movement - Make it stand out Camille Claudel, The Waltz, c. 1900, bronze, Musée Rodin, France. https://www.northwesternartreview.org/articles/an-interview-with-julie-plec monthly 0.5 2024-03-05 https://www.northwesternartreview.org/articles/depersonalizationderealization monthly 0.5 2024-02-17 https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/1708042354073-M3P3MRUK3XRJ3HUXIGZK/Abducted+in+plain+sight+%28Le+coup+de+vide%29+%5BDetail+1%5D.jpg Articles - An Interview with Audrey Clarendon: Depersonalization/Derealization Disorder Through Art https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/1708042375100-7MK98TG6V1WSSQEER7VR/Abducted+in+plain+sight+%28Le+coup+de+vide%29+%5BDetail+2%5D.jpg Articles - An Interview with Audrey Clarendon: Depersonalization/Derealization Disorder Through Art https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/1708042400350-THRXC915QG5VNKBMBG52/Abducted+in+plain+sight+%28Le+coup+de+vide%29+%5BDetail+3%5D.jpg Articles - An Interview with Audrey Clarendon: Depersonalization/Derealization Disorder Through Art https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/1708042423920-WRITNNNWCI0FOKHC6GP7/Abducted+in+plain+sight+%28Le+coup+de+vide%29+%5BDetail+4%5D.jpg Articles - An Interview with Audrey Clarendon: Depersonalization/Derealization Disorder Through Art https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/9bcc2e88-58c7-4305-8ac7-49bfc6d44de1/Under+this+dark+star+%28With+hairs+on+end%29.jpg Articles - An Interview with Audrey Clarendon: Depersonalization/Derealization Disorder Through Art - Make it stand out Under this dark star (With hairs on end) https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/1708041764525-NR30JDF2AJ9L6R962U76/Volcanologist%27s+Folly+%28Hypoemotional%29+%5BDetail+1%5D.jpg Articles - An Interview with Audrey Clarendon: Depersonalization/Derealization Disorder Through Art https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/1708041781700-1S7LJACBZ5K5GH1CC9E2/Volcanologist%27s+Folly+%28Hypoemotional%29+%5BDetail+2%5D.jpg Articles - An Interview with Audrey Clarendon: Depersonalization/Derealization Disorder Through Art https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/cc9dcc28-9258-4cb9-beb1-81a7bbdd186d/Under+this+dark+star+%28With+hairs+on+end%29+%5BDetail%5D.jpg Articles - An Interview with Audrey Clarendon: Depersonalization/Derealization Disorder Through Art - Make it stand out Detail https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/68ae27ea-f879-4955-ab2c-8e03dd70767d/IMG_8919+%281%29.jpg Articles - An Interview with Audrey Clarendon: Depersonalization/Derealization Disorder Through Art - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/0e6a9a4f-86f1-49d5-bc05-b28bd08bff60/Abducted+in+plain+sight+%28Le+coup+de+vide%29.jpg Articles - An Interview with Audrey Clarendon: Depersonalization/Derealization Disorder Through Art - Make it stand out Abducted in plain sight (Le coup de vide) https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/6ce7ebb6-d942-431d-814d-290bb0c8661b/Through+the+eyelids+%28Participant+vs.+Observer%29.jpg Articles - An Interview with Audrey Clarendon: Depersonalization/Derealization Disorder Through Art - Make it stand out Through the eyelids (Participant vs. Observer) with details below https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/1708037560988-XVNSZFLB5E30ZUXVAOJO/Through+the+eyelids+%28Participant+vs.+Observer%29+%5BDetail+1%5D.jpg Articles - An Interview with Audrey Clarendon: Depersonalization/Derealization Disorder Through Art https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/1708037587069-62P3W7A9MULGCQGY1GJH/Through+the+eyelids+%28Participant+vs.+Observer%29+%5BDetail+2%5D.jpg Articles - An Interview with Audrey Clarendon: Depersonalization/Derealization Disorder Through Art https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/1708037603593-MZKSAFHD685GU0VBBP6F/Through+the+eyelids+%28Participant+vs.+Observer%29+%5BDetail+3%5D.jpg Articles - An Interview with Audrey Clarendon: Depersonalization/Derealization Disorder Through Art https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/003b6a14-7a1e-4fb3-86ca-1de2e676a10d/Volcanologist%27s+Folly+%28Hypoemotional%29.jpg Articles - An Interview with Audrey Clarendon: Depersonalization/Derealization Disorder Through Art - Make it stand out Volcanologist’s Folly (Hypoemotional) with details below - on the symptom of detachment from one’s own feelings called hypoemotionality https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/f0c3aced-cd53-41de-947e-de8999d18ff0/Differentiation+and+disintegration+diptych+%28A+summary%29.jpg Articles - 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An Interview with Audrey Clarendon: Depersonalization/Derealization Disorder Through Art - Make it stand out The end of all things (Empty space) - on the symptom of profound emptiness/nothingness https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/545e0f86-4802-4f3b-90f1-d64d45d92afa/As+the+veil+lifts+%28What+once+was+is+no+more%29.jpg Articles - An Interview with Audrey Clarendon: Depersonalization/Derealization Disorder Through Art - Make it stand out As the veil lifts (What once was is no more) - on the shadowy and mystical existential feelings experienced by some DDD afflicted https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/c77ae443-4d68-4231-b19a-6d15639bf25b/IMG_8957.jpg Articles - An Interview with Audrey Clarendon: Depersonalization/Derealization Disorder Through Art - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/c0166f28-07f0-4c83-866c-47805012d251/IMG_8859.jpg Articles - 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An Interview with Vivian Yu - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/06126516-a2c8-448b-8a4a-d8c8d96a0716/3.jpeg Articles - An Interview with Vivian Yu - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/b7e9c687-d673-462c-86dd-ab5dc75bc43c/vivian5.jpeg Articles - An Interview with Vivian Yu - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.northwesternartreview.org/articles/an-interview-with-roland-santana monthly 0.5 2024-02-07 https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/ec1818f8-f2c0-49ac-80ef-3ddadd3c075d/interview_2.png Articles - An Interview with Roland Santana - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/78e8dc3e-6df5-49d7-9894-26f0ee52a865/interview_4.png Articles - An Interview with Roland Santana - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/cb9c5bc7-d54b-4347-bb2f-ed249a8c2dd9/interview_3.png Articles - An Interview with Roland Santana - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/6c939c12-1562-49b9-bf49-8a0b67fe821d/interview_1.png Articles - An Interview with Roland Santana - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/3a68eed9-7507-479e-8d3c-f8ea0d3ae360/Roland+Santana.png Articles - An Interview with Roland Santana - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.northwesternartreview.org/articles/an-interview-with-david-ocelotl-garcia monthly 0.5 2024-01-31 https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/f2752d8f-3616-4a42-bd7e-e3864ad7c94d/Screen+Shot+2024-01-23+at+5.27.23+PM.png Articles - 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That is, is death inherently tragic? Lee: No. Right now, I'm looking at grief and joy and how they're inseparable. It’s like how summer and winter are inseparable. How can we celebrate life and death? You know, celebrating life is easy: we have baby showers, weddings, graduations, birthdays. But celebrating death is harder: when someone we love leaves, we feel sad, but I think death can be celebrated, too. There is a timing, right? Death is inevitable. We're all gonna die. I suppose it goes hand-in-hand with aging. Americans view aging as going downhill. But I'm trying to look at it as entering my second childhood. Hopefully death will feel complete: my cycle will be complete. But I have no idea. I'm 45 right now. I could live till 90. It makes me feel curious about who I’ll be in my 60s or 70s or 80s. I think those possibilities are something to celebrate. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/4fdc5a9f-fef7-48b0-b5bd-4f4c030c8a65/Screen+Shot+2023-11-22+at+11.25.29+PM.png Articles - An Interview with Helen Lee - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/c3b32488-220f-4c4e-870a-fe02d63f8416/Screen+Shot+2023-11-22+at+11.01.46+PM.png Articles - An Interview with Helen Lee - Make it stand out https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/547484cf-5c89-4670-a474-1fcdbdcf2748/Screen+Shot+2023-11-22+at+11.17.54+PM.png Articles - An Interview with Helen Lee - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/dadafe36-6fef-40d3-895e-e3799447ad90/Screen+Shot+2023-11-22+at+11.05.28+PM.png Articles - An Interview with Helen Lee - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.northwesternartreview.org/articles/an-interview-with-beth-galton monthly 0.5 2023-07-24 https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/0042483b-e39b-4d56-a445-4b762e3986ef/BG3.png Articles - An Interview With Beth Galton - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/777df546-0888-4809-9425-297ada618224/BG9.png Articles - An Interview With Beth Galton - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/1690153915979-69MO7QB69Z4YCGW57R86/BG10.png Articles - An Interview With Beth Galton https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/1690153915355-OHN74L2MVTN2KTUN6JJT/BG11.png Articles - An Interview With Beth Galton https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/a6d323b4-4226-4e8b-8569-2b0719fa0b84/BG8.png Articles - An Interview With Beth Galton - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/5bdb88ca-cdc3-40e6-9daa-6d8540d03cae/test+smuckers+gif.jpeg Articles - An Interview With Beth Galton - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/74b8fbae-d5e8-4b1a-a3b1-a9be0ce54e64/BG12.png Articles - An Interview With Beth Galton - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/e25cf7e5-0b9d-4d3a-81ed-e8f94400dcfb/BG7.png Articles - An Interview With Beth Galton - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/1690153476314-09BZJVJBA31A6BB0UD6G/BG4.png Articles - An Interview With Beth Galton https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/1690153475305-D98G043J1TDF9LC7L8FS/BG5.png Articles - An Interview With Beth Galton https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/c379cea9-901e-46c5-b085-f55260b8020c/BG1.png Articles - An Interview With Beth Galton - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/66947c30-0555-4d25-9911-5a0d94112bf4/BG2.png Articles - An Interview With Beth Galton - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.northwesternartreview.org/articles/reduction-and-inscription-inscribing-on-the-erased-terrain monthly 0.5 2023-07-03 https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/47a8fbaa-0cb6-469b-bba3-f32f50a0eb45/Fig+1.jpg Articles - Reduction and Inscription: Inscribing on the Erased Terrain - Make it stand out Figure 1: “Clouds and Rain,” Florentine Codex, vol.2, fol.238r. Biblioteca Medicea Laurenziana/Donato Pineider, Florence, Italy. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/1688346484343-FMVZVQRN8CYVYI8LI2TQ/Fig+2.JPG Articles - Reduction and Inscription: Inscribing on the Erased Terrain - Fig. 2 Hendrick Goltzius, Detail of A Man admiring the Farnese Hercules, 1617. Engraving. Photo: Todd Olson https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/1688346494924-8CTKNOE7BRORYUVN0OK2/Fig+3.png Articles - Reduction and Inscription: Inscribing on the Erased Terrain - Fig. 3 Bolognino Zaltieri. Il, Disegno del Discoperto della Nora Franza, 1566. Engraving. Chicago, The Newberry Library. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/1688346490341-5OG0Z46ORQ6GDLJ3L42I/Fig+4.PNG Articles - Reduction and Inscription: Inscribing on the Erased Terrain - Fig. 4 Map of Texupa, Oaxaca. 1579. Color on European paper, from Relación Geográfica. Real Academia de la Historia, Madrid, Spain. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/1688348986560-PPRC7XRDS6QB9N2MTURW/Fig+5.JPG Articles - Reduction and Inscription: Inscribing on the Erased Terrain - Fig. 5 Mass of Saint Gregory, 1539. Feathers on wood with touches of paint. 26 ¼ x 22 in. Musée d’Auch, France https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/1688348989307-3EJ09NCTE2T2DNL1OP05/Fig+6.JPG Articles - Reduction and Inscription: Inscribing on the Erased Terrain - Fig. 6 Israhel Van Meckenem, Mass of Saint Gregory. C.1490-1500. Engraving. National Gallery of Art, Washington, D.C., Rosenwald Collection, 1954.12.91(B-21489) https://www.northwesternartreview.org/articles/an-interview-with-kate-taverna monthly 0.5 2023-06-25 https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/c9e2f78c-2fd4-4128-bc01-893306d7f78f/Kate+4+.png Articles - An Interview With Kate Taverna - Make it stand out Image Courtesy of Artist. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/fb910292-bf03-4489-b6ec-56b02699d83b/Kate+5.png Articles - An Interview With Kate Taverna - Make it stand out Image Courtesy of Artist. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/2f1035a9-24fb-4c8d-bb63-a345202845c1/Kate+6+.png Articles - An Interview With Kate Taverna - Make it stand out Image Courtesy of Artist. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/8d9c3882-76fc-4535-aa8e-294449fa605b/Kate+2.jpeg Articles - An Interview With Kate Taverna - Make it stand out The Kids. Image Credit: Ralph Gabriner. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/7e969f9a-9625-47b4-ab25-99524a73a2d5/Kate+1.jpeg Articles - An Interview With Kate Taverna - Make it stand out Kate Taverna amidst The Kids. Image Credit: Ralph Gabriner. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/30ee229e-1758-4aa4-a42a-39b6a58551b4/Kate+7+.png Articles - An Interview With Kate Taverna - Make it stand out Image Credit: Ralph Gabriner https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/852723dc-662d-46fc-a373-289a4dc2b6eb/Kate+3.png Articles - An Interview With Kate Taverna - Make it stand out Sack a City. Image Credit: Mary Bachmann. https://www.northwesternartreview.org/articles/encountering-intersubjectivity monthly 0.5 2023-06-19 https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/2d177d91-c454-4de9-9fd3-a24d0d7a0e9c/Rafi+Abstract++%281%29.jpeg Articles - Encountering Intersubjectivity: Abstract Physicality in “That Smell” by Sonallah Ibrahim and “Untitled (1965)” by Samir Rafi - Make it stand out Figure 1: Samir Rafi, Untitled. 1959. Oil on canvas. Barjeel Art Foundation. https://www.northwesternartreview.org/articles/an-interview-with-adrian-aguirre monthly 0.5 2023-06-24 https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/56a9a790-90b8-4f24-8bc9-227a9b5b6c5e/Adrian+4.png Articles - An Interview With Adrian Aguirre - Make it stand out Lunch Truck, from the series Jornaleros. 2008. Oil on canvas. 42 x 96”. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/420e3dae-5f1e-43de-ad5c-48e567ae08d8/Adrian+5.png Articles - An Interview With Adrian Aguirre - Make it stand out Chente, from the series Jornaleros. Charcoal, 40 x 60” . https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/c00af438-4dbc-4da6-b9cf-1c17587a7263/Adrian+1+.png Articles - An Interview With Adrian Aguirre - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/1590acee-7221-4ddf-aeae-898ca7579a90/Adrian+3.png Articles - An Interview With Adrian Aguirre - Make it stand out Sombras, from the series Jornaleros. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/1b5cb56d-4580-4340-b1d2-ca6bc576d812/Adrian+8.png Articles - An Interview With Adrian Aguirre - Make it stand out Detenido, from the series Patrol. Charcoal and gouache on paper. 38 x 50”. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/dd4cb023-8702-45c5-8693-3f431fccf31a/Adrian+2.png Articles - An Interview With Adrian Aguirre - Make it stand out Lavabos El Barretal, from the series Migrantes. 2020. Oil on canvas. 48 x 34”. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/124aee87-1279-4d7c-8411-2b6ea71177e5/Adrian+6.png Articles - An Interview With Adrian Aguirre - Make it stand out Manman ak pitit fi, from the series Patrol. Oil on paper mounted to board. 60 x 46”. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/66bf5f62-eebd-4ce1-b916-451f89832913/Adrian+7.png Articles - An Interview With Adrian Aguirre - Make it stand out Patwouy Cheval. 2022. Oil on canvas. 22 x 28”. https://www.northwesternartreview.org/articles/the-virgin-at-nea-moni-chios-brilliant-unconsumed-and-impenetrable monthly 0.5 2023-06-18 https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/9dc23430-86dd-4883-be6a-1f63fc5e59a3/Figure+2.jpg Articles - The Virgin at Nea Moni, Chios: Brilliant, Unconsumed, and Impenetrable - Make it stand out Figure 2: Mosaic of the Virgin in the apse of Hagia Sophia, Kiev, 1043. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/88322e5d-ce0f-4d70-98c7-9e350adf9414/36048196096_c0a266e63f_c.jpg Articles - The Virgin at Nea Moni, Chios: Brilliant, Unconsumed, and Impenetrable - Make it stand out Figure 1: Inner narthex at Nea Moni monastery, Chios. Image Credit: Vittorio Dell’Aquila, https://www.flickr.com/photos/vittorio_dellaquila/36048196096/ (CC BY-NC-ND 2.0). https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/7764ee54-7efa-4d53-b2d7-7ac2706d7a71/Figure+3+%281%29.jpg Articles - The Virgin at Nea Moni, Chios: Brilliant, Unconsumed, and Impenetrable - Make it stand out Figure 3: Apse mosaic of the Virgin surrounded by angels at S. Maria in Domnica in Rome, S. 818-819, https://www.northwesternartreview.org/articles/an-interview-with monthly 0.5 2023-05-23 https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/d93d79de-3a79-4cbf-815d-9abce47f1573/1.jpg Articles - An Interview with Darren Bader - Make it stand out Darren Bader May 15 – June 21, 2014, Andrew Kreps Gallery, New York Image courtesy of the Artist and Andrew Kreps Gallery, New York https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/7d11cf15-3e88-4d94-8420-55a5b0abf84b/2.jpg Articles - An Interview with Darren Bader - Make it stand out Darren Bader, Chad Ochocinco February 26 - March 26, 2011, Andrew Kreps Gallery, New York Image courtesy of the Artist and Andrew Kreps Gallery, New York https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/368cd14d-f59e-4f7f-bff3-136fc3d40941/6.jpg Articles - An Interview with Darren Bader - Make it stand out Darren Bader, eBay Sculpture October 16 – 24, 2020, Société, Berlin, Germany Image courtesy of the Artist and Andrew Kreps Gallery, New York and Société, Berlin https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/bc09febb-771c-4569-986b-40dad4148398/3.jpg Articles - An Interview with Darren Bader - Make it stand out Darren Bader fruits, vegetables; fruit and vegetable salad dimensions variable Image courtesy of the Artist and Andrew Kreps Gallery, New York https://www.northwesternartreview.org/articles/preferring-multiple-choice-the-serial-figure-of-batman-translated-across-mediums monthly 0.5 2023-05-15 https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/6ed9f72c-1b6d-4bcb-9b95-f9ba3392a4a8/Figure+3.jpg Articles - Preferring Multiple Choice: The Serial Figure of Batman Translated Across Mediums - Make it stand out Figure 4: Screenshot from The LEGO Batman Movie (2017) https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/7e8d635c-6c39-4d95-b64f-d2f3a7c33a84/Figure+4.jpg Articles - Preferring Multiple Choice: The Serial Figure of Batman Translated Across Mediums - Make it stand out Figure 3: Screenshot from The LEGO Batman Movie (2017) https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/f64d9dec-4c2b-4c4c-b2cf-94cf3de32c3a/Figure+2.png Articles - Preferring Multiple Choice: The Serial Figure of Batman Translated Across Mediums - Make it stand out Figure 2: Panel from Batman: The Killing Joke, Deluxe Edition written by Alan Moore, illustrated and re-colored by artist Brian Bolland (1988 original release, 2008 re-colored release) https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/3faf13dc-a010-4c9d-9cff-05071297e2e3/Figure+1.jpg Articles - Preferring Multiple Choice: The Serial Figure of Batman Translated Across Mediums - Make it stand out Figure 1: Panel from Batman: The Killing Joke, Deluxe Edition written by Alan Moore, illustrated and re-colored by artist Brian Bolland (1988 original release, 2008 re-colored release) https://www.northwesternartreview.org/articles/an-interview-with-stelarc monthly 0.5 2023-05-11 https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/225d7103-f24e-4ede-ba75-9ab83c51e5e0/image+5.png Articles - An Interview with Stelarc - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/84e8bcfa-20ac-4fc2-95a6-f44fc727df1b/image+6.png Articles - An Interview with Stelarc - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/9d26d0ea-2e7d-45bc-8dd0-33e42863ee34/image+3.png Articles - An Interview with Stelarc - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/4cf1aa95-9990-47ee-bbe7-028d975fa032/image+4.png Articles - An Interview with Stelarc - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/b7fbc5f0-5413-4e47-8a34-f34f040cb32d/image.png Articles - An Interview with Stelarc - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/55765d07-eab2-4934-8db9-1d9eef1d7bdd/image+2.png Articles - An Interview with Stelarc - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.northwesternartreview.org/articles/subversion-of-gendered-fairytale-in-kiki-smiths-lying-with-the-wolf monthly 0.5 2023-04-30 https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/7bb83888-d401-4111-984e-582257f95576/IMAGE+4+%281%29.jpg Articles - Subversion of Gendered Fairytale in Kiki Smith’s “Lying with the Wolf” - Make it stand out Figure 4: Kiki Smith, Genevieve and the Wolves, 1999. 6’ 2⅛ x 4’ 3½ inches. Ink on Nepal paper. Shoshana Wayne Gallery, Santa Monica. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/233ab7cd-a2c0-4dbb-8735-1bea6d0a8229/IMAGE+1.jpg Articles - Subversion of Gendered Fairytale in Kiki Smith’s “Lying with the Wolf” - Make it stand out Figure 1: Kiki Smith, Lying with the Wolf, 2001. 88 x 73 inches. Ink and pencil on paper. Centre Pompidou, Paris. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/20287d6e-ed88-4196-b68a-1e277740a24d/IMAGE+2.jpg Articles - Subversion of Gendered Fairytale in Kiki Smith’s “Lying with the Wolf” - Make it stand out Figure 2: Kiki Smith, Born, 2002. 68 x 56 inches. Lithograph. Brooklyn Museum, New York. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/19b925f0-dbb3-4c07-b649-baf5e1bdad85/IMAGE+3+%281%29.png Articles - Subversion of Gendered Fairytale in Kiki Smith’s “Lying with the Wolf” - Make it stand out Figure 3: Giovanni Battista Salvi (“Sassoferrato”), Madonna and Child, 1650. 52 x 39 inches. Oil on canvas. Vatican Museums, Vatican City. https://www.northwesternartreview.org/articles/an-interview-with-anne-wilson monthly 0.5 2023-04-24 https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/c36893dc-73ca-4307-84ca-3df281016106/anne+wilson+1.jpeg Articles - An Interview with Anne Wilson - Make it stand out Anne Wilson installing Topologies https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/8c2ef3f5-f36d-491f-9dda-ff0683fe06a5/anne+3.jpeg Articles - An Interview with Anne Wilson - Make it stand out Sofía Fernández Díaz working on the Participant Archive https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/3bdc3de0-bdec-452b-b7d5-76691627f8b8/anne6.jpeg Articles - An Interview with Anne Wilson - Make it stand out Drawings from the Participant Archive of the Davis Street Drawing Room, left to right: Susan Peterson, Robert Earl Paige, Rin Visaney Scholtens, and Sofia Gabriel https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/424c196c-6762-495d-92dc-b9854eb2dbed/anne+4.jpeg Articles - An Interview with Anne Wilson - Make it stand out Group session in the Davis Street Drawing Room, left to right: Delaina Doshi, Kate Morrick, CJ Mattia, and Lily Lloyd Burkhalter https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/4a0a6d06-9a01-4b03-a72c-9b9f341318d6/anne+2.jpeg Articles - An Interview with Anne Wilson - Make it stand out Dorie Millerson looking at lace in the Davis Street Drawing Room https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/2ed99a8b-8741-41e6-9884-477d21049ade/anne+5.jpeg Articles - An Interview with Anne Wilson - Make it stand out Davis Street Drawing Room overview https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/8e784e0a-b7cc-45fe-a35f-8e923d4d007d/anne7.jpeg Articles - An Interview with Anne Wilson - Make it stand out Excavation table in the Davis Street Drawing Room https://www.northwesternartreview.org/articles/an-interview-with-kate-clark monthly 0.5 2023-04-14 https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/c70c79a6-6036-461e-89a2-66e552da657f/image+3.png Articles - An Interview with Kate Clark - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/a54182ec-d756-4662-9d47-9680af534969/image+6.png Articles - An Interview with Kate Clark - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/12d8a8ba-65c5-425d-a621-78518b427d49/image+2.png Articles - An Interview with Kate Clark - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/2b56a3a9-3925-4e3b-b5ae-d8e353c15681/image+4.png Articles - An Interview with Kate Clark - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/48fb439b-8e33-4784-b4f4-a1fbb302f453/image+5.png Articles - An Interview with Kate Clark - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/05649481-6782-4db8-89a9-74402445d231/image.png Articles - An Interview with Kate Clark - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.northwesternartreview.org/articles/countering-the-heat-of-love-with-the-cool-touch-of-ivory-a-medieval-romance monthly 0.5 2023-04-12 https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/a7616548-a033-4803-86c2-f0b229f4424f/test.jpeg Articles - Countering the Heat of Love with the Cool Touch of Ivory: A Medieval Romance - Make it stand out Figure 1: Mirror case, 14th century. Ivory, Kunstgewerbemuseum, Berlin. https://www.northwesternartreview.org/articles/why-does-the-golden-haggadah-represent-the-tannin-as-an-everyday-snake monthly 0.5 2023-04-06 https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/906b5bb6-39e7-448b-8cc2-1c30e9f7cc14/80C55B14-9CFD-4332-9929-ED3076C12147.jpeg Articles - Why Does the Golden Haggadah Represent the Tannin as an Everyday Snake? - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.northwesternartreview.org/articles/an-interview-with-paul-fryer monthly 0.5 2023-03-09 https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/bacdc138-8e73-475c-8d4e-39f57721b197/image+3.png Articles - An Interview with Paul Fryer - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/44cebfba-1c7e-46f2-a3d5-75ced4ba383b/image+2.png Articles - An Interview with Paul Fryer - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/2499ca4c-3329-419b-917c-4c6de6ad8024/image+6.png Articles - An Interview with Paul Fryer - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/28bb170b-03cc-40f8-8708-8a664b0fc940/image+7.png Articles - An Interview with Paul Fryer - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/7152a7ff-4896-46df-9cc1-95232d1f4640/image+5.png Articles - An Interview with Paul Fryer - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/8b4bddd5-91ac-4a68-80e7-ee5b6301dfae/image.png Articles - An Interview with Paul Fryer - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/6fb95df1-c719-4c6b-99b8-6a3c2a8838e5/image+4.png Articles - An Interview with Paul Fryer - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/54e2c163-1fd6-44cb-a245-9b7406d0f209/image+8.png Articles - An Interview with Paul Fryer - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.northwesternartreview.org/articles/exhibition-review-life-and-afterlife-in-ancient-egypt monthly 0.5 2023-03-07 https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/121e7f89-3bd6-4f94-90d1-c98ab246887e/1894.246+-+Lintel+Fragment+Depicting+Iniuia+and+Iuy....jpg Articles - Exhibition Review: “Life and Afterlife in Ancient Egypt” - Make it stand out Lintel Fragment Depicting Iniuia and Iuy Worshipping Deities (1336-1327 BCE), limestone and pigment, Art Institute of Chicago. Currently on view in the exhibition “Life and Afterlife in Ancient Egypt.” https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/6a4a2903-4ca8-4e6b-8f61-3f181ab90e05/katy+image+5+%281%29.JPG Articles - Exhibition Review: “Life and Afterlife in Ancient Egypt” - Make it stand out Image 5: Plaque Grouping https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/fa2b9e11-60ca-4e8e-b259-3e1e4d885ba1/katy+image+1+%281%29.jpg Articles - Exhibition Review: “Life and Afterlife in Ancient Egypt” - Make it stand out Image 1: Exhibition Signage https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/1678057562658-TSQ4DVM7QH8P27VYCXLC/katy+image2.jpeg Articles - Exhibition Review: “Life and Afterlife in Ancient Egypt” - Image 2: Exhibition view. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/1678148507572-G56P5PDYXP5HS5ZRL41O/katy+image+3.JPG Articles - Exhibition Review: “Life and Afterlife in Ancient Egypt” - Image 3: Statuette of Sobek https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/1678057562623-JEF2TSTSL41DE112MJYW/katy+image+4.jpeg Articles - Exhibition Review: “Life and Afterlife in Ancient Egypt” - Image 4: Turquoise Djed-Pillar Amulet https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/1678057563860-EZFEBI4927VWGHR9RQJY/katy+image+6.JPG Articles - Exhibition Review: “Life and Afterlife in Ancient Egypt” - Image 5: Exhibition View https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/1678058798959-B14OOUYFQGIQUH5IEWSM/katy+image+7.JPG Articles - Exhibition Review: “Life and Afterlife in Ancient Egypt” - Image 7: Mummified Remains Warning https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/1678058799187-60Q52CEY8LWHW3XIY90N/katy+image+8.JPG Articles - Exhibition Review: “Life and Afterlife in Ancient Egypt” - Image 8: Digital Text https://www.northwesternartreview.org/articles/an-interview-with-sarah-best monthly 0.5 2023-03-02 https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/28d1f425-29c2-4c41-9930-d6be0efa8aee/image+6.png Articles - An Interview with Sarah Best - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/5a810e2a-6271-43c3-9e11-b6c2a2fafe88/image+7.png Articles - An Interview with Sarah Best - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/515fefd1-7c94-40c5-b568-6b1a84c3ac5a/image+2.png Articles - An Interview with Sarah Best - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/71b266f0-29d8-43dd-899d-985e281c3062/image+4.png Articles - An Interview with Sarah Best - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/7fddec4b-87f5-4a32-9328-d572b28e7e1e/image+5.png Articles - An Interview with Sarah Best - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/affb8a2d-5b3a-4c44-a5f6-1df88c734830/image+3.png Articles - An Interview with Sarah Best - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/2cbfd8b5-72fb-4273-b137-de216324f968/image.png Articles - An Interview with Sarah Best - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.northwesternartreview.org/articles/a-summer-in-spencertown-reflections-on-ellsworth-kelly-and-abstraction monthly 0.5 2023-06-24 https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/1ec4bb21-1549-4796-83b0-5d148cbfa284/IMG_2917.jpg Articles - A Summer in Spencertown: Reflections on Ellsworth Kelly and Abstraction - Make it stand out The author in front of Ellsworth Kelly’s Purple Red Gray Orange (1987) at the Tate Modern Museum in London, UK. Photo by Tristan Baumeister. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/cf003b5d-d401-4b3e-b623-7d7dac90e8b3/spencertown+view.JPG Articles - A Summer in Spencertown: Reflections on Ellsworth Kelly and Abstraction - Make it stand out Spencertown, NY. Photo by Madeleine Giaconia. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/1677217160412-P25H255A59DAOLL91A4F/yellow+EK.jpeg Articles - A Summer in Spencertown: Reflections on Ellsworth Kelly and Abstraction https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/1677217160032-F8GQCOJ9RX6ZEU1PG2M7/EK+spectrum.jpeg Articles - A Summer in Spencertown: Reflections on Ellsworth Kelly and Abstraction https://www.northwesternartreview.org/articles/an-interview-with-mira-hnatyshyn-hudson monthly 0.5 2023-02-27 https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/434b49a0-9754-43ff-ab7e-9646356197f0/ScreenShot+Tool+-20230212172619+%281%29.png Articles - An Interview with Mira Hnatyshyn-Hudson - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/92f19370-67b1-49f1-9abf-2f84a0495fd0/busstop2.jpeg Articles - An Interview with Mira Hnatyshyn-Hudson - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/a0bebf0f-c4c5-446d-90c8-866655e7a87f/Image.jpeg Articles - An Interview with Mira Hnatyshyn-Hudson - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/19b9a23c-65f7-4384-be62-8142e78cc8ef/The_Court.jpeg Articles - An Interview with Mira Hnatyshyn-Hudson - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/d3dd9fbb-3a44-4c7e-9d51-bb0788f81e91/Every_girl_wants_to_Be_Queen_Paintinstall.jpeg Articles - An Interview with Mira Hnatyshyn-Hudson - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/0d499135-c206-419f-a4cf-9958b1431ec3/We_Can.jpeg Articles - An Interview with Mira Hnatyshyn-Hudson - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.northwesternartreview.org/articles/wonder-at-the-warnock-lecture-an-interview-with-professor-thadeus-dowadnbsp monthly 0.5 2023-07-24 https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/4f242b05-dcf4-477c-81f3-941abbafc342/IMG_1955.jpg Articles - Wonder at the Warnock Lecture: An Interview with Dr. Thadeus Dowad  - Make it stand out Warnock Lecture at the Block Museum of Art, February 8, 2023. Photo by Elizabeth Upenieks. https://www.northwesternartreview.org/articles/an-interview-with-jessica-wohl monthly 0.5 2023-02-13 https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/68e7a304-6a66-4b4b-8fb1-695ed63f90f7/image.png Articles - An Interview with Jessica Wohl - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/05dd9f4b-536d-444a-9f5a-956f22b481ac/image+4.png Articles - An Interview with Jessica Wohl - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/70f3980b-9021-4b83-bbd5-bb79ec77ed09/image+2.png Articles - An Interview with Jessica Wohl - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/82f7e24f-53a1-4dd4-a127-92f55d97908d/image+5.png Articles - An Interview with Jessica Wohl - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/28175d37-9d05-4835-b8af-f357284735f0/image+3.png Articles - An Interview with Jessica Wohl - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/0eae3ae3-517e-41de-b2a7-287845423193/image+7.png Articles - An Interview with Jessica Wohl - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/55c16cd3-0b1f-4b37-b1fc-a070d92b3cd2/image+6.png Articles - An Interview with Jessica Wohl - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.northwesternartreview.org/articles/beyoncs-apeshit-how-the-artist-reframes-black-womens-presence-at-the-louvre monthly 0.5 2023-02-10 https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/23ed5338-9ca4-4537-9b36-4b1d2ffeca7b/Screen+Shot+2023-02-09+at+9.29.03+PM.png Articles - Beyoncé’s “Apeshit”: How the Artist Reframes Black Women’s Presence at the Louvre - Make it stand out Beyonce’s Versace headscarf and outfit. Image: BeyonceVEVO, YouTube. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/1676000462604-QX565RV0U7OTOYJNCACH/Screen%2BShot%2B2023-02-09%2Bat%2B9.38.39%2BPM.jpg Articles - Beyoncé’s “Apeshit”: How the Artist Reframes Black Women’s Presence at the Louvre - Beyoncé and her dancers. Image: BeyoncéVEVO, YouTube. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/1676000369859-33NR5HMVLA80APGEX4Q1/Screen+Shot+2023-02-09+at+9.36.53+PM.png Articles - Beyoncé’s “Apeshit”: How the Artist Reframes Black Women’s Presence at the Louvre https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/2160c8fb-89ad-42ef-8d71-4e6689363603/benoist+Madeleine.png Articles - Beyoncé’s “Apeshit”: How the Artist Reframes Black Women’s Presence at the Louvre - Make it stand out Marie-Guillemine Benoist, Portrait of Madeleine, 1800, oil on canvas, 81 x 65 cm, Louvre Museum, Paris, France. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/c82f0541-24af-4747-ac4f-5d302313ffa8/Screen+Shot+2023-02-09+at+9.52.57+PM.jpg Articles - Beyoncé’s “Apeshit”: How the Artist Reframes Black Women’s Presence at the Louvre - Make it stand out Beyoncé and Jay-Z (The Carters) in Apesh*t. Image: BeyoncéVEVO, YouTube. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/0c9160cd-e97a-4ffd-8fc2-9206c0d15684/Screen+Shot+2023-02-09+at+9.32.52+PM.png Articles - Beyoncé’s “Apeshit”: How the Artist Reframes Black Women’s Presence at the Louvre - Make it stand out Dancers posed beneath Portrait of Madame Recamier. Image: BeyoncéVEVO, YouTube. https://www.northwesternartreview.org/articles/an-interview-with-saul-acevado-gomez monthly 0.5 2023-02-12 https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/9cc0bf7b-3935-4306-af51-84a845052ca6/saul+2+.png Articles - An Interview with Saul Acevado Gomez - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/75efaf01-b6e9-4331-99a7-49664a0c6a56/saul+5+.jpg Articles - An Interview with Saul Acevado Gomez - NAR: Your series Existentialism grapples with the modern art world. How has the internet changed modern art? Acevedo Gomez: For the most part, in my experience, the internet has expanded opportunities for artists to be seen and connected. For example, I met some people through Instagram from New York, and this connection allowed me to visit New York and have my work exhibited. You don't really know who you might be able to connect with through the internet. When it comes to sales, I think it does allow you to sell directly to other people in a new way. You can post something on Instagram and someone will always contact you asking to buy it. It's almost like going to Amazon and shopping for something. Again, I don’t think this is something negative; it has allowed people more opportunities than anything. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/d863f263-d808-485d-9661-65c81557ecac/furtune+teller.png Articles - An Interview with Saul Acevado Gomez - NAR: Tell me about your series Furtune Teller. What role does the internet serve in both empowering and diminishing humanity? How has the internet changed art? Acevedo Gomez: It depends upon where you are in life and who you are. It’s very easy for people to use. There's really no rules. I mean, LIke – when it comes to AI technology, it will start to choose for you, almost acting like nature. We’re using the internet to make choices for us. I think this is the negative. It takes away your choices and your freedom, and it's also a big distraction. I also think it can be negative in that people see themselves a certain way. They may use the internet to look for acceptance or damage other people by bullying, but this is really human nature. But the internet also helps us to learn new things, to communicate with one another, and to build something. Education in schools is a great thing, but there’s a lot on the internet that you won't necessarily find in school. And this information still has much value. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/0cbcdb9c-4f47-47e8-b987-4934221b2213/saul+3+.png Articles - An Interview with Saul Acevado Gomez - NAR: Forethought: Last Paintings of Nature represents messages on the back of meticulously rendered canvas. Typically, this might be where a private inscription would be written: what is the meaning of the back of the page? How can these “unseen” messages disrupt modern art, and what are the changes you wish to see in the contemporary art world? Acevedo Gomez: When it comes to galleries and artists, we're always going to have differing intentions. Still, I would like to see more visibility for female artists and other marginalized artists. In the past, when you went to a museum, all of the works were by male artists. Now we are beginning to see works by people of color and by women. I would like to add opportunities for other people. I don't make art just for myself. Eventually, I want to help other artists have the chance to be well-known and to live from their practice. Writing on the back of the canvas gives it independence. I wanted the canvas to speak for itself. It doesn't want to show you a painting that’s abstract or a landscape or a figure drawing. Instead, it's just trying to give feedback directly to you. There's this idea called theoretical space. It's mainly used in sculpture and minimalist work. Imagine you go into a museum and you're walking around and looking at the art, right? So the idea behind theoretical spaces is that in order for an artwork to exist, you have to be present to see the work, or to even understand that it exists. I wanted to push that idea more, I wanted to be sure that the world doesn't have to depend on the viewer to exist. In this sense, this series is informing the viewer of what’s happening in the natural world, if we continue to ignore it. With climate change, eventually we won't get to see nature. We’re going to start just seeing these messages telling us that we messed up, that we made a mistake, that we weren't listening. Experiencing nature through text doesn’t show you any kind of landscape. It's just telling you a message. It's using the text to tell the story of our mistakes. A drawing or a painting can be ignored, it can just be visually pleasing. The back of the work only speaks back to you. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/0e0f1376-3cc7-4b88-b5ca-1bcbe8de42b1/saul+image+1+.png Articles - An Interview with Saul Acevado Gomez - Saul Acevedo Gomez is a young Denver-based artist from Mexico interested in modern hyper-connectivity, control, and nature. Creating dense colored pencil images informed by internet culture, he questions modern communication and contemporary existence. Often compared to Basquiat for his ubiquitous use of text, Acevedo Gomez experiments with language and its various applications. Today, we sat down to discuss the internet, climate change, and the contemporary art world. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/0a552c00-c5e0-4c2e-ba02-e03de9fc18cc/saul+4+.png Articles - An Interview with Saul Acevado Gomez - NAR: Let’s discuss Hellmo. Where does internet culture bleed into reality and what are its subsequent implications on communication? Acevedo Gomez: The meme culture acts like a coping mechanism. In some ways, it lets us avoid reality, avoid what's truly happening. But it also allows us to make other people laugh and just express ourselves with images. When it came to using Hellmo, it was about connecting to the younger generation. Young people use memes to express emotion, and Hellmo was a tool for me to invite younger people to resonate with my work. But at the same time that I was incorporating these memes, they became a way for us to satirize the modern world. They let us avoid reality. When you go back to 2020, people were thinking about how World War III was happening, and so they started to joke about readying the Avengers. They are comforting. https://www.northwesternartreview.org/articles/curating-discomfort-at-the-hunterian-museum monthly 0.5 2023-02-02 https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/3612d941-aca5-4d8d-94c2-8398838fc5f0/Main_Hall%2C_the_Hunterian_Museum%2C_Glasgow..jpeg Articles - Curating Discomfort at the Hunterian Museum - Make it stand out The Hunterian Museum, University of Glasgow (Glasgow, UK). Photo credit: Osama Shukir Muhammed Amin FRCP(Glasg), CC BY-SA 4.0, via Wikimedia Commons. https://upload.wikimedia.org/wikipedia/commons/9/9b/Main_Hall%2C_the_Hunterian_Museum%2C_Glasgow..JPG https://www.northwesternartreview.org/articles/look-what-you-made-me-do-the-art-of-the-viral-music-video monthly 0.5 2023-11-15 https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/5bd25aaf-c1b5-4301-9d18-1cf0f8bc6706/Screen+Shot+2023-01-25+at+1.22.30+PM.png Articles - “Look What You Made Me Do”: The Art of the Viral Music Video - Make it stand out Swift in “Look What You Made Me Do.” Image: TaylorSwiftVEVO. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/1674672332472-IZGXSTU7ZPRH2H539P86/Screen+Shot+2023-01-25+at+12.45.19+PM.png Articles - “Look What You Made Me Do”: The Art of the Viral Music Video https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/1674672337322-5HOY3JTUVREYGTWF0RX1/Screen+Shot+2023-01-25+at+12.38.47+PM.png Articles - “Look What You Made Me Do”: The Art of the Viral Music Video https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/1674672337650-GMV6VS9KYHRPI2A8ZU6L/Screen+Shot+2023-01-25+at+12.42.46+PM.png Articles - “Look What You Made Me Do”: The Art of the Viral Music Video https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/9c5c9c4d-fca8-4470-9512-3450acb98509/Screen+Shot+2023-01-25+at+12.48.29+PM.png Articles - “Look What You Made Me Do”: The Art of the Viral Music Video - Make it stand out Lineup of Swift’s former versions. Image: TaylorSwiftVEVO. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/1674689285558-2IBJZNJCMULB4KIRVM8H/Screen+Shot+2023-01-25+at+5.25.32+PM.png Articles - “Look What You Made Me Do”: The Art of the Viral Music Video https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/1674689311921-JSR1TSA7BZIXUUUT0S92/Screen%2BShot%2B2023-01-25%2Bat%2B5.26.01%2BPM.jpg Articles - “Look What You Made Me Do”: The Art of the Viral Music Video Swift dramatically totals a gold-plated car. Images: TaylorSwiftVEVO. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/1674593115292-58TXGOWLFAJZNE7IQW4M/Screen+Shot+2023-01-24+at+2.43.16+PM.png Articles - “Look What You Made Me Do”: The Art of the Viral Music Video https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/1674593111310-XUC0825ZSQ0HU39IH5UL/Screen+Shot+2023-01-24+at+2.43.25+PM.png Articles - “Look What You Made Me Do”: The Art of the Viral Music Video https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/8d2574c2-5dbf-47a7-8cf0-87d08053c3c1/Screen+Shot+2023-01-24+at+2.33.56+PM.png Articles - “Look What You Made Me Do”: The Art of the Viral Music Video - Make it stand out Swift’s snake-enthroned persona. Image: TaylorSwiftVEVO. https://www.northwesternartreview.org/articles/an-interview-with-thomas-doyle monthly 0.5 2023-01-22 https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/93e0b5c0-9867-4680-8207-29a065735d92/image+3.png Articles - An Interview with Thomas Doyle - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/8bf551bf-7d1a-4f86-ad1b-a951463f3815/image.png Articles - An Interview with Thomas Doyle - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/38c7ac6a-0d7d-4ea1-aad4-feced10e4f14/ScreenShot+Tool+-20230122085450.png Articles - An Interview with Thomas Doyle - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/b74aeaad-4020-41f7-bba8-e935c3e55a17/ScreenShot+Tool+-20230122085346.png Articles - An Interview with Thomas Doyle - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.northwesternartreview.org/articles/concert-champtre-and-the-dissolution-of-a-compagnie-through-the-lens-of-pastoral-poetry monthly 0.5 2023-04-10 https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/732409d7-64ac-4956-aa16-2938fc67fa63/titian+for+ju+article.jpeg Articles - Concert Champêtre, and the Dissolution of a Compagnie Through the Lens of Pastoral Poetry - Make it stand out Titian, Concert Champêtre, ca. 1509. Oil on canvas. 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The Balyans. p. 176. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/1673486944170-V13284IBPA6OSUGCPDDW/Figure+2.jpg Articles - The Ottoman Renaissance in the Balyan Final Project of the Çırağan Palace Waterfront Façade - Figure 2: Dolmabahçe Palace viewed from the Bosphorus, Istanbul, 2020. Image Credit: A.Savin, WikiCommons. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/1673486964260-F9K8NOSKMC0NN50Y8CMV/Figure+3.jpg Articles - The Ottoman Renaissance in the Balyan Final Project of the Çırağan Palace Waterfront Façade - Figure 3: Beylerbeyi Palace viewed from the Bosphorus, Istanbul, 2010. Image Credit: mayanming, WikiCommons. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/1673487000688-LFY01NE83OVYC9KEFBKJ/Figure+4.jpeg Articles - The Ottoman Renaissance in the Balyan Final Project of the Çırağan Palace Waterfront Façade - Figure 4: Waterfront façade of Çırağan Palace, Istanbul, 2010. 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Zanth, Ludwig. “Die Wilhelma: Maurische Villa Seiner Majestät Des Königes Wilhelm von Württemberg.” p. 25. https://www.northwesternartreview.org/articles/a-pleasant-depiction-rich-in-disdain-understanding-pierre-auguste-renoirs-painting-two-sisters monthly 0.5 2023-01-19 https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/1dddd979-5f94-4921-aa08-3fb49873c7eb/AIC2-20-21-12.jpg Articles - Understanding Pierre-Auguste Renoir’s “Two Sisters” - Make it stand out Pierre-Auguste Renoir, Two Sisters, 1881. Oil on canvas. The Art Institute of Chicago. 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From Colver: "I honestly shot this in one minute, just after I shot press photographs of him signing a contract with Priority Records. I shot two polaroids, did not look at them, had him put his chin down, and then shot ten black-and-white photographs on 120 film with a medium format camera." Photograph by Edward Colver. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/98f67ab9-4eed-4a9a-8385-8e113cd59fea/ColverRollins.jpg Articles - Go On Out, Get Some More: Edward Colver and the Photographic Legacy of Hardcore Punk, from “Damaged” to “Die Lit” - Make it stand out Henry Rollins of Black Flag, black & white photograph from the Damaged LP cover session, Hollywood, CA, 1981. Photograph by Edward Colver. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/4ccd6956-e16b-49d6-82ff-26794db80df5/ColverStivBators.jpg Articles - Go On Out, Get Some More: Edward Colver and the Photographic Legacy of Hardcore Punk, from “Damaged” to “Die Lit” - Make it stand out Stiv Bators of the Dead Boys, shot backstage at the Whisky, Los Angeles, CA, 1979. Photograph by Edward Colver. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/1636831277239-TBK17RTG2ZQ1YGET7VKE/ColverBoots.jpg Articles - Go On Out, Get Some More: Edward Colver and the Photographic Legacy of Hardcore Punk, from “Damaged” to “Die Lit” Punk boots and chains, 1979-80. Photograph by Edward Colver. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/1636831817478-WH1WV2GLMGZ1DA9I8VU7/ColverAndyWarhol.jpg Articles - Go On Out, Get Some More: Edward Colver and the Photographic Legacy of Hardcore Punk, from “Damaged” to “Die Lit” Andy Warhol, Los Angeles, CA, 1985. Photograph by Edward Colver. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/1636831335374-2IDMXR099O5TO1EQ26CS/ColverDaveDictor.jpg Articles - Go On Out, Get Some More: Edward Colver and the Photographic Legacy of Hardcore Punk, from “Damaged” to “Die Lit” Dave Dictor of MDC, shot at the Alpine Village (aka The Barn), Torrance, CA, 1982. 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Photograph by Edward Colver. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/1636831277114-R1VG88SMJMN800PZBLFV/ColverAdolescents.jpg Articles - Go On Out, Get Some More: Edward Colver and the Photographic Legacy of Hardcore Punk, from “Damaged” to “Die Lit” Tony Adolescent with his friends Mike Ness of Social Distortion and "Simo" working the stage, early 80s. Photograph by Edward Colver. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/1636831335376-E3ZEQTNY9ZH1WU2EN4QF/ColverSkanker.jpg Articles - Go On Out, Get Some More: Edward Colver and the Photographic Legacy of Hardcore Punk, from “Damaged” to “Die Lit” "Skanker" punk, c. 1982. Photograph by Edward Colver. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/1636831382729-5RQF2QUPTFJ55Q9E8EO8/ColverNickCave2.jpg Articles - Go On Out, Get Some More: Edward Colver and the Photographic Legacy of Hardcore Punk, from “Damaged” to “Die Lit” Nick Cave, 1985. Photograph by Edward Colver. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/1636831335852-L9ZJP7A2RB9DQF0UJK60/ColverSteveCaballero.jpg Articles - Go On Out, Get Some More: Edward Colver and the Photographic Legacy of Hardcore Punk, from “Damaged” to “Die Lit” Steve "Cab" Caballero at the Whittier Skate Park, Whittier, CA, 1982. Photograph by Edward Colver. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/1636831382686-QK3U0EXEYTBS4EGLJT9R/ColverStanRidgway.jpg Articles - Go On Out, Get Some More: Edward Colver and the Photographic Legacy of Hardcore Punk, from “Damaged” to “Die Lit” Stan Ridgway of Wall of Voodoo, Los Angeles, CA, mid 1980s. Photograph by Edward Colver. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/1636831383333-9EJD7P2IQVL0NCI09RRA/ColverTomWaits.jpg Articles - Go On Out, Get Some More: Edward Colver and the Photographic Legacy of Hardcore Punk, from “Damaged” to “Die Lit” Tom Waits, photographed in the Travelers Cafe, Los Angeles, CA, 1985. Photograph by Edward Colver. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/1636831817569-VDBSN70V6H1L2QW8OPFH/ColverDukeyFlyswatter.jpg Articles - Go On Out, Get Some More: Edward Colver and the Photographic Legacy of Hardcore Punk, from “Damaged” to “Die Lit” Dukey Flyswatter of Haunted Garage, 1990. Photograph by Edward Colver. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/a5dc13e7-db06-4ca2-a83f-b3c0d1154ea4/ColverNickCave.jpg Articles - Go On Out, Get Some More: Edward Colver and the Photographic Legacy of Hardcore Punk, from “Damaged” to “Die Lit” - Make it stand out Nick Cave photographed on the porch of the Chateau Marmont, West Hollywood, CA, 1985. Photograph by Edward Colver. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/8cd28b4e-f8de-459a-b105-33bcffa391df/ColverFlipShot.jpg Articles - Go On Out, Get Some More: Edward Colver and the Photographic Legacy of Hardcore Punk, from “Damaged” to “Die Lit” - Make it stand out Skateboarder/punk Chuck Burke doing a forward flip stage dive at Perkins' Palace, Pasadena, CA, July 4th, 1981. Taken at a D.O.A., Adolescents, and Stiff Little Fingers show. Shot during the Adolescents' set. Photograph by Edward Colver. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/7f38f904-a36c-4e8d-9689-7fb6efe4aaea/unnamed.jpeg Articles - Go On Out, Get Some More: Edward Colver and the Photographic Legacy of Hardcore Punk, from “Damaged” to “Die Lit” - Make it stand out Darby Crash of the Germs, backstage at the Starwood, West Hollywood, CA, 1980. Photograph by Edward Colver. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/cb828cf0-9cd7-45d0-9497-dc650493bde5/ColverJelloBiafra.jpg Articles - Go On Out, Get Some More: Edward Colver and the Photographic Legacy of Hardcore Punk, from “Damaged” to “Die Lit” - Make it stand out Jello Biafra of the Dead Kennedys, Florentine Gardens, Hollywood, CA, 1983. Photograph by Edward Colver. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/a55dbdaa-48f1-43f9-ab03-dd179ba4bb8f/ColverMinorThreat.jpg Articles - Go On Out, Get Some More: Edward Colver and the Photographic Legacy of Hardcore Punk, from “Damaged” to “Die Lit” - Make it stand out Ian MacKaye of Minor Threat, Alpine Village (aka The Barn), Torrance, CA, 1982. Photograph by Edward Colver. https://www.northwesternartreview.org/home daily 1.0 2025-04-14 https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/482e03ae-a3de-4a7b-ba85-5367ef540bd7/NAR3.gif Home - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/2aae3378-1467-46fc-b6f0-cead37f10c14/NAR1.gif Home https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/448cb5a5-c2bb-4a82-8482-730f0587e189/NAR2.gif Home https://www.northwesternartreview.org/gallery daily 0.75 2023-04-19 https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/2849f094-ef41-4f19-9aa4-ec43d5835eba/IMG_1184.jpg Gallery https://images.squarespace-cdn.com/content/v1/61774d92afd3c117cdba5d50/b2f4a419-8d62-4c76-9f1f-12303e9fb873/Screenshot+2025-01-27+at+4.46.16%E2%80%AFPM.png Gallery 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